but donat turns it down becuz of his disdain for hollywood and his reluctance to shoot the production inside united states. Robert donat's accomplished performance in monte cristo earns himself an opportunity to take the lead in "captain blood" which leaves to errol flynn later. "the count of monte cristo" becomes the parallelling comparison to the disfigured pratagonist's ruin of wretched betrayls. the story is handled concisely to catch up the proper pace without over-sentimentalized melodramaticity despite its apparent tint of romanticism.Įccentricly the mere approach for this flick to occur to people's sight would be the cameo in "v for vedentta" which is natalie portman's recent flick of dystopic graphic novel. The movie remains faithful to dumas' book and robert donat does have the knightly presence of enigmatic count and his elegance oozes from the sword duets and every suave phrase of his. it has the essence of swashbuckler as well as the confrontation of good and evil, but it's dubbed with a sense of solemnity instead of the errolesque frivolosity which populates in this gendre. donat plays dantes who has been wrongly accused of treason, and he vows to revenge due to the loss of his youth and his one true love, then he discovers the treasure of monte cristo so he purchases himself a status to cast doom to those who have mistreated him maliciously. "the count of monte cristo" is alexander dumas' classic tale of chivalric avengence.
undisputedly robert donat's version is the best ever on screen. and it shows the versatile scale of the 39 steps legendary actor robert donat's potentiality for swashbuckler gendre, and also it is donat's first collaboration with hollywood. "the count of monte cristo" is the first sound flick adapted from dumas' masterpiece.
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